First, you can create quite complex compositions, which include the very fine details. Unlike the lead foil profile allows you to connect even the smallest pieces at any angle to each other, on the very capriciousness curved lines. So siluetny and produced a beautiful picture of internal skeleton.

Second, the stained glass windows turn out much stronger, because in this way can "namertvo" tubing all the details, down to the smallest.

And thirdly, patterns and pictures of coloured glass produced voluminous (convex or concave), filled with light and air, which makes products originality. Solar rays prelomlyayas, forcing glass succulent roast bright colors, making stained glass every time a new and unique.

In the fourth, stained-glass windows, these are not afraid of high temperatures. And it means that they can be used not only in the decorations of windows, doors and bulkheads, but also as fixtures: standard lamps, wall lamps, chandeliers.

Work on very small compared to the classic stained-glass windows, to the same curvilinear surface fixtures demanded the use of large numbers of very small fragments, which are collected from the whole picture, while drawing the line at the stained glass windows obtained thin and graceful.

The thickness of seams also changed the author deliberately to reinforce sounds natural, accidental or caused volumetric spatial effect. Plants, water, the sun in its products as living - not in the sense of subsistence. The artist managed to find a measure of conditional relations in his art, so it turned out exactly like life, not copying its real shape. In the art of Tiffany was not vulgar naturalism.

In 1895-Louis Comfort Tiffany was to sell its famous bronze lamp under the lampshade from the stained glass with images of plants and insects. These mosaic lampshade softly priglushali sharp light bulbs, and this aura mystery very well in line with modern aesthetic tastes - new style, which appeared towards the end of the XIX century as an independent artistic phenomenon in Russia and in Europe, where Al was called nouveau or art nouveau style that, actually, the same thing. The revolutionary idea Tiffany literally made a sensation among visitors shops. The audience again uvleklas stained glass, to which interest has fallen markedly since the Middle Ages. Lamps, as well as stained glass windows at the same time with Tiffany produces many artists. With the saturation of the market products, work Tiffani withstand competition, because it has been particularly high quality and always expensive